About

image of Timothy White

Bio

Timothy White is a mixed media artist who comes from a background in fine furniture making. His current body of work is a series of evocative mixed media panels, entitled “American Prosperity”, which explore the stories of stumbled upon abandoned buildings through the use of photographic images, paint, concrete, pastels and other materials.
 
Tim’s diverse background began with a childhood full of art…painting, drawing, music making and building things in the basement with whatever was handy, sometimes to his father’s dismay. His career highlights include eight years building museum quality contemporary furniture with Richard Scott Newman, and many years of making sculptural furniture and sculpture on his own, as well as graphic design and photography work with Alison White Photography. Over time, and with the influences of many experiences, Tim’s work has evolved into the mixed media art he makes today. His current series explores the themes of place, abandonment, and the stories surrounding places that people have left behind.
 
A recovering perfectionist, Tim now embraces a more wabi-sabi outlook on life and work. Originally from Buffalo, NY, he has lived in Crested Butte, CO since 1996. Outside of work, Tim spends his time with his wife and son playing in the mountains around his home. He enjoys loud music, art, skiing and biking, among other things.

American Prosperity Artist’s Statement

American Prosperity is a series of evocative mixed media panels about stumbled upon abandoned places. The pieces are made using photographic images combined with a variety of materials, from paint on wood and canvas to cast concrete colored with charcoal, stains and pastels. The resulting panels, each of them one of a kind, enlarge the mood evoked by an image and the memories of being in the place where the image was captured.
 
The series, which began as a personal project and caught fire for me, explores a number of different themes: the unknown stories these buildings hold when seen from the perspective of a passer by, a sense of place, the abandonment of place, and, on a more metaphorical level, the question of where we are as a society.
 
Initially, the impetus for this project was my attraction to the dark moodiness of the abandoned buildings in the images, and the desire to expand the feelings they evoked for me during my brief visit. When I am passing through a place and stumble on an interesting building without knowing its history, questions occur to me about its past: Who lived or worked here? Why did they leave? Is this a sad story, or one of better opportunity, or maybe neither? Moving beyond the sort of obvious questions, as I worked deeper into the series, I began to think about our sense of place and how we identify with where we live and work, and how deeply we, or at least I, do that without really thinking about it consciously. For me, the buildings I find are a visual and, while I am at them, a tactile representation of place. They are where we create an environment that is unique to each of us.
 
After several years of working on this, I began to think about the abandonment of places, and how I had seen other possibilities and moved away from the place I was born and raised and all that it held for me – family, friends, a promising long term job, a cool place to live – for the chance at a new start and a new adventure across the country in an amazing place with a woman I was absolutely smitten with. This was perhaps the best choice I have ever made, yet it did come with some bitter parts to temper the sweet. Having built a life and family in a new place, which all these years later is as familiar, easy and as much home as any place has ever been for me, I have to wonder if my son will have the urge to make a new start somewhere else, and what his motivations might be for doing so.
 
Lately, along with the other things, I’ve been thinking about these places in a metaphorical sense, and wondering about a different sort of abandonment. It’s more of a societal abandonment, an abdication of some basic things that has left our collective house in ill repair. Things like community, connection with other people and the planet, a willingness to help out without compensation or recognition, a sense of compassion and empathy, a desire to do the right thing rather than the easy thing. Rather than seeing this as a complete bummer, I see us as being at a crossroads where we can each choose how we will proceed. I find hope in that.